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The shift in gameplay experiences served a wonderful breaking point so has not to confuse the players. HS: The first half of the game is story-driven, whereas the second half of the game is quest-based and gives players more freedom as to where they want to go. TA: What made you decide to split the Fantasian narrative into two parts? HS: Unfortunately, I have not played either Octopath Traveler or Bravely Default so I cannot comment. TA: Did any of the recent JRPGs like Octopath Traveler or Bravely Default that bring a wealth of quality of life improvements to the traditional JRPG formula play a part in how you approached designing Fantasian? It reminded me of how much I loved this genre. However, in the case of Fantasian, I was part of an online event in Japan where a few of my old colleagues and I played Final Fantasy 6 together. TA: Do you go back and replay your older titles for inspiration while working on new projects? I would also like to mention Final Fantasy 9, when I returned to my roots once.Īnd how could we forget about Terra Battle? And the last Final Fantasy of the Famicom era, Final Fantasy 6. HS: Of course, I love them all but if I had to pick, the very first Final Fantasy. What are your favourite games from your career? TA: You’ve directed some of the best games of all time both with Square Enix and with Mistwalker for other publishers. If anything, had we been hit with COVID during the brainstorming and pre-production phase, that would have been a bigger disaster. In spite of the concerns, however, I think we were able to transition to a remote working environment quite smoothly. It was quite nerve-wracking, considering it was the period where we needed to scale a lot of in-game assets. HS: Out of the three years of development, our final year was almost entirely remote. TA: How has it been working on Fantasian during the pandemic? 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